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| nothings changed the senates still corrupt & the emporer remains insane, and every day, is a new strain of slaughter, supply lines are less protected, evil on all sides, eye can smell the death on your flesh--creeping in, trapped within the twisting fingers of fear, and all eye see is ewe, that face, those eyes, burning like leprosy, eye can see u there poisoning the air, prostituing Nationalism, and eye want to attack, to rip out your heart and lay you flat on your back, and vomit a world of agony and truth into your throbbing illness of memory...and hate guides our way, eye long for the icy slap of a belt across my back, for the acceptance of death and blind cave war, the giving sleep of depression, the sweet elucidation of savage meaningless agression, chiseled in the meaty forearms of Mother Jupiter and his slave disciples, in the harem tents--outside, just beyond the edges--eye ride, a cycoptic mare in the fires of imagination. feeding my disease, a river of plagues, eye need something to remind me I'm still sinning that pain is important, that wurdz matter, that healing is possible, that eye am not alone ...in this --guard the houses--triple the watch,--Maidens, dig up your sorcery --sirens, sharpen your rocks..ewe will eat my pain again. whatever you need unite messiah ME --Wurdz by Otep Shamaya |
  Emotion from Process from EmotionJune 05, 2004 8:00 a.m. Related Reading I was just thinking about the time I watched The Princess and the Warrior with these actor friends of mine. They said there were noticable differences between German and American Actors. ...so much that it was if they were doing things backwards. American actors ...according to my friends....feel something and this causes them to respond. For example, in Amercian Beauty when Thora Birch is taking off her shirt for the guy....she's dealing with this emotion vulnerability and because he finds her so beautiful, she is showing him the part of herself that she most despises. However....according to my friends....the German actors in The Princess and the Warrior are acting in reverse. They think of the act they are doing and know that the emotion will come from the act. For example there is a moment in said film where the man attacks a TV with a chair...the does this to show grief, but....it's the act...as he attacks the tv, the emotion comes from the process....not the other way around. Now, what I was thinking about was the scene in the Two Towers when Aragorn believes that Merry and Pippen are dead and thus kicks the Uruk helmet. Peter Jackson wanted him to do this over and over because his aim got better everytime he kicked it. The last take, the one in the film, Viggo kicked and broke two toes. So in the film you see him scream, kick the helmet, scream even more and fall to his kness. He used the pain from the injury to fuel his performance. So here's my question. The one I got out of bed to write about so it would leave my head.... Did the emotion create the action, or did the action create the emotion? Or is in maybe alittle of both? I guess it's both...but I didn't expect I'd gain clarity by writing, merely just to ask. |
Otep   |
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